We always have to get the Olympics several days before the start to get acclimated, scope out venues and schedule, and start setting up cameras. The underwater venues take extra time in setting up the underwater remote cameras. Back when I started doing the underwater cameras 16 years ago, there was only a couple of us in the water, now the coverage under the surface since the Beijing games has really expanded with up to 10 cameras down there at a time, including large and expensive robotic rigs, that can shoot at any 180 degree angle with zoom, focus, liveview and preset shot functions as well.
Shooting for Sports Illustrated at these Olympics, the plan has been to have my static Aquatech camera in the swimming venue and the robust robotics rig in the diving/water polo/synchronized swimming venue. Here’s a couple behind the scenes photos and videos of our underwater setup, which wouldn’t be possible without the help of the consummate professionals like dive master Simon Lodge that the BOC and FINA place on the pool deck to facilitate the installation.
Be sure to check out my instagram feed @donaldmiralle as well as Sports Illustrated’s and the rest of the team of great photographers we have here covering Rio!